The hymn “Dear Lord and Father of mankind” is one of the UK’s most popular hymns. It is usually (in the UK at least) sung to a brilliant tune (REPTON) and its poetic lyrics capture many people’s imagination. It is a well loved traditional hymn and an established part of our repertoire. But there is one small question I’ve always wrestled with: what do the words actually mean? It’s more than a little puzzling! Is it truthful and helpful for congregations to sing?
One of the interesting things about the hymn is its history. The stanzas of the hymn are taken from a poem by an American Quaker, John Greenleaf Whittier:
Entitled The Brewing of Soma, the poem dealt with various kinds of intoxication – by alcohol, drugs or fanaticism. Soma (a word later used by Aldous Huxley for the feel-good drug in Brave New World) was a sacred drink mentioned in ancient Sanskritic books of Indian religion. Whittier’s poem is prefaced by a quotation from Max Müller, the first professor of philology at Oxford, who had misty racial theories based on these immemorial rites.
Eleven of Whittier’s stanzas preceded the six retained for the hymn. They range over the Vedic hallucinogens, the dance of the Islamic Dervish and the trance of the medieval Christian flagellant.
(You can read the full poem online here – it’s not very long).
It seems that the poem itself is in the context of people inducing ecstatic religious experience by drugs or dancing and so on. In contrast, Whittier – a Quaker – believed that God was to be found in the stillness and quiet. This is fairly common Quaker belief, from the few Quakers I’ve actually talked to! The message seems to be – stop trying to find God in these strange ways, just be still and let God speak to you.
When you see it in that light, the lyrics are understandable. The whole thing is shot through with references to stillness or quiet: “without a word”, “the silence of eternity”, “deep hush”, “tender whisper”, “noiseless”, etc. It’s all about being still and letting God speak in the silence.
The problem is, I’m not sure this is really a very Christian idea. The song mentions Jesus once, where apparently he shared “the silence of eternity” with the Father. Jesus certainly withdrew to pray, although there’s no indication that he withdrew simply to enjoy ‘silence’ with God! The poem also has the line “speak through the earthquake, wind and fire” – a reference to 1 Kings 19, where God was in the small whisper rather than in the more dramatic events. But – God still spoke. You know, words.
The more I think about this hymn the more I dislike it: I disagree with the main idea – that in order to hear God speak you just need to be still. Yes, we don’t need frenzied dancing or drugs to communicate with God. But that doesn’t mean we can dispense with words altogether. (This is the same issue I have with contemplative prayer, although that’s a story for another time).
Sadly, I think – like Love Divine – this hymn should relegated to the history books.
This is part of my ‘hymnology’ blog series.